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This is the Sequence-Scene structure of the 1998 restored version derived from Welles's 1958 memo.
Thunderball is an ideal screenplay to follow a main character conducting an investigation.
An excellent script of escalating tension and emotion during personal deterioration and self-destructive behavior.
A remarkable screenplay where Sequences are delineated by changes in room location and historical time period.
This Bond story follows a series of clues of double cross defections and false loyalties to establish the villain's real goals.
How to use memory loss and mistaken identity to create a hopeless situation.
Excellent Sequence Stucture following multiple charaters and storylines.
A safe straightforward screenplay of the exploration of an unknown threat.
High accolades for this beautiful Coming-of-Age screenplay. An ideal model.
Excellent use of flashback to explain character's interpersonal relationships and motivations.
Excellent structure for an innocent man being framed and then pursued whilst having to reveal the real perpetrators.
A good example of how to integrate independent story-lines of several characters.
A prototype for a multiple Flashback format screenplay where all is not what it seems and characters are not who they say they are.
Masterful example of a heist with thieves stealing the loot from each other. How do you find it and steal it back?
Excellent conflict structure with three separate storylines that merge in the final climax of villains and heroes.
'Red Eye' is an excellent to model how to create tension and action in a confined space (Act II).
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