An excellent example of pursuit where the protagonist (Bond) and antagonist (Carver) cross paths from Act II onwards. The antagonist also has a surrogate fighter (Stamper) for Bond to continuously battle.
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A remarkably good biography of an addict who manages to come through the experience alive. Excellent example of how to use additional characters to magnify the personality and challenges of the protagonist.
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The script utilizes both the death of Jo's father from a tornado, and the estrangement of Jo and Bill as emotional backdrops to their scientific pursuit of tornadoes.
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This screenplay is a lesson on how to make an entire movie be foreshadowing for the final one minute of the film. One of the best endings ever written.
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Built on the question of whether men and women can, 'Just be friends', this script forms a prototype romantic comedy of, 'Boy gets girl, boy loses girl, boy gets girl back'. The pacing, plot point timing and reversals are ideally placed.
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